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Check out the Max Azria Final Cut Corner here.

By Sasha Charnin Morrison for UsMagazine.com. To read more of the Recessionista blog, click here.

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An exhibition by Chinese artist Song Dong has just opened at the Barbican in London. Waste Not is a collection of over 10,000 household objects saved by the artist’s mother over half a century.

Like many in China during the Cultural Revolution, Song Dong’s mother used and re-used everything – nothing was wasted.

Song Dong’s work explores ideas of family life,Discount Versace, love and the memories in everyday objects.

Song Dong was interviewed for BBC World Service.

CONCORD, N.H. As candidates crisscross New Hampshire in their quest for votes, an Academy Award-winning writer thinks the time is ripe for “Political Suicide.”

That is the title of four one-act plays Ernest Thompson who wrote “On Golden Pond”_ will stage beginning Sunday at Pitman’s Freight Room in Laconia.

The plays are dark comedies that parody politicians and protesters alike.

One is about taking the best attribute from each of the candidates to make one candidate who might excite two jaded polling place workers. Another is about a small-town protester who longs to be part of a movement but attracts the attention of no one but the police chief.

Thompson told the Associated Press on Friday that the plays each take a different angle on where our culture is at, but called them “equal opportunity offending plays.”

“I like stirring things up a little,” Thompson said.

Thompson bills his plays as “funnier than the debates” and said the debates inspired one of the plays “Mr. Potato Head” about rolling all the candidates into one dynamic candidate.

“They were pretty funny to watch those debates but also pretty sad, because you kept thinking someone has to stand up and say something profound,” Thompson said.

Thompson says he purposely did not shape his characters to resemble any of the current candidates.

“What I’m hoping is that four years from now we can do these same plays and they’ll have the same resonance,” he said.

Thompson wrote one of the plays_ about a disillusioned senator _six years ago. He says he wrote the other three recently, as campaigning intensified.

The 1981 movie “On Golden Pond” filmed in New Hampshire netted Oscars for Thompson and stars Katharine Hepburn and Henry Fonda. Last summer Thompson directed the stage production of the play, which he wrote in 1978 for a summer stock theater in Holderness.

Thompson, 62, moved to New Hampshire from Los Angeles 21 years ago.

“The fun part of being in New Hampshire is that you really get to see those characters up close and personal,” he said of the candidates.

Thompson said he chose Pitman’s Freight Room in downtown Laconia in part because of the short commute from his home and production studio in New Hampton. He said the venue holds about 70 and features a stage they assembled for the 16 performances, including one the night of the primary Jan. 10. The play runs through Jan. 15,wholesale Ed hardy sunglasses, then reopens for six additional performances in early February.

Pitman’s owner Dick Mitchell said that there is a lot of buzz around town about Thompson’s production and that it’s exciting for the renovated train depot to host its first theater production.

“It’s very timely, and I think his message is on target everything is screwed up,” Mitchell said.

Thompson he had a run-in with the Mitt Romney camp Friday not over politics, but turf.

Romney campaign workers wanted to take over Pitman’s Freight Room for nine hours Friday to set up for and stage an evening rally, Mitchell said. But Thompson has dibs on the property.

“The show has to go on,” Thompson said, laughing.

LOS ANGELES (Reuters) Geek chic will soon be back when Napoleon Dynamite returns in an animated TV show and joins “Family Guy” and “The Simpsons” on the Fox network’s “Animation Domination” night.

“Napoleon Dynamite,” the 2004 independent film about a socially awkward teenager in a small town, directed by Jared Hess and starring Jon Heder, became a hit and received praise for bringing something fresh to the teen comedy genre.

The film is about a high-school loser, Napoleon, who becomes a bit of a winner while retaining his geekiness. The original cast is voicing their animated characters in the TV shows that debuts on January 15.

They are joined by new characters and guest stars including Amy Poehler, Sam Rockwell and Jemaine Clement.

Heder, 34,wholesale Burberry, talked to Reuters about returning to play Napoleon and working in animation.

Q: Napoleon is back! Why now?

A: “We played around with the idea of an animated series or live-action series for a sequel, but we never played around seriously because we made this with a bunch of friends, so we weren’t thinking cash franchise. But it came out and became a success, and I think all these years later, when Fox came to us, we said, ‘Hey, we’d talked about it. We think the time is right, let’s do it,’ and we were all on board.”

Q: Why animation over live action, especially with the original cast?

A: “Honestly, because it’s probably cheaper and we’re probably all old and flabby now! A live-action show still has a certain lifespan, but with shows like “Family Guy” and “King of the Hill,” successful animated shows can go on forever.”

Q: Where does the new series pick up from after the film?

A: “Napoleon is already friends with Pedro and Deb, and he still has a rivalry going with Summer and Don, but Kip really hasn’t met LaFawnduh yet. The idea was that Kip might have lots of potential female romantic interests. It’s kind of a prequel, in between the end of the movie and the wedding (between Kip and LaFawnduh), because the wedding at the end of the movie, that could have been much later, even years later, so maybe they took some time apart to try out some different mates.”

Q: What can we expect from Kip’s online dating adventures?

A: “We just like the idea that Kip is always online, especially because he doesn’t really know what he’s getting into. In one of the episodes, he’ll be talking to Tatiana from Russia, and he has no idea who she is, she could be a man, so we’re playing with the idea that Kip is clueless. It also lends itself to stories where Kip and Napoleon are going after the same girl, some sibling rivalry there.”

Q: Do you ever feel pigeonholed by playing Napoleon?

A: “He’s very much like me. He’s not pretentious. He was raised in a small town, and he’s an outsider. So, I relate a ton to the character. It is kind of a part of me and it probably will be for the rest of my life. That’s why I have no problem coming back and doing Napoleon again.”

Q: How do you think fans will respond?

A: “… I think true fans will like it, hopefully. It’s animated but it’s trying to capture the feeling and the integrity of the movie. There’s an innocence that’s still there and the naivety of the characters and there’s such a lovability about them.”

Q: Does Napoleon’s iconic dance to Jamiroquai’s “Canned Heat” make an appearance?

A: “Sadly, because it’s animated, unless they do some motion-capture on me, that was the only thing I was a little bit bummed about. I’m playing the part, but it’s only the voice, and so much of the Napoleon character is capturing the image and the physical movements. But from what I’ve seen, the animators are doing a pretty funny job.”

(Editing by Bob Tourtellotte and Patricia Reaney)

NEW YORK New Yorkers pride themselves on their blasé — nothing will phase a well-trained city pedestrian. But artist Zefrey Throwell’s urban intervention turned even the most stoic of heads: those of Wall Street traders. Throwell’s “Ocularpation: Wall Street” saw 50 performers strip down and mime different Wall Street-related professions (traders, yes, but also janitors, secretaries, and everything in between) in a critique of the financial industry, a piece inspired by the plight of the artist’s mother, a 60 year old woman who lost her retirement savings in the economic crash, and was forced to come out of retirement to look for a job.

Throwell’s piece caused some gawking on the street, and shocked viewers into reconsidering their relationship to what Throwell calls “the most mysterious street in America.” “Ocularpation” was developed while the artist was in a residency given by the Lower Manhattan Cultural Council: for 6 months, Throwell worked in a basement studio at 14 Wall Street and investigated the area’s significance, social, political, and artistic. ARTINFO spoke to the artist just hours after the “Ocularpation” performance ended, and chatted about the inspiration for the performance, the immediate reaction, and why it wasn’t “just a flash mob where people run up and take their clothes off”: 

What was the inspiration for the “Ocularpation” performance?

My mother put away her money, like a good American, into retirement, and she retired in mid-60s. Then the stock market crashed, and she lost almost all of her savings. She had to come out of retirement and look for a job, but no one wanted to hire a woman in her mid-60s. It took her a long time to find a job. First she was depressed, but then she was furious. Over the course of the past 3 years, there has been no change in the system that caused the damage that violently altered her life. She feels she was straight up swindled by people who had nothing happen to them.

This project is a direct response to the opacity of the financial industry in the United States. It’s call “Ocularpation Wall Street”, a combination of ocular, as in sight, and occupation, meaning job, and the taking of a site, the military term. Aggressively performing your profession in public.

How did the actual performance get started?

The first half was a survey that I took of Wall Street, to find out who actually works on Wall Street. I went business to business, asking what jobs they did there. I came up with a chart listing who works on the most mysterious street in America. Then I got performers to perform those jobs, in the percentage that they were represented, on the street itself.

There were 10% personal assistants, 8% stock traders, and 2% prostitutes, for example. The actual project had 200 people in it, 50 performers, and then there were helpers, and there were people documenting it. We met up in a park beforehand, then walked down to Wall Street, and everyone was spread out evenly down the whole street. Right at 7 a.m. people began working their professions, I was a hot dog vendor. Lawyers, federal workers,Cheap Ed hardy Shoes, museum workers, janitorial was huge. The performers started clothed, after about a minute, they start stripping down, they were naked for maybe a minute, then they started putting clothes back on. At 7:05 it was all over.

Who were your volunteers?

Mostly artists I know, a few people who contacted me about the performance as well. Drea Bernardi, she’s an artist that helped me a lot with the performance.

I heard a few people actually got arrested. What was the reaction like?    

There were three arrested out of 50, they were taken to 1st Precinct, charged with disorderly conduct, and something else I haven’t heard of before, exposure of a person. [Note: Throwell followed the three and later bailed them out.]

The general reaction was fantastic, actually. The NYPD was very excited, very supportive. They wanted to talk about it, to know what I think about it. Public reaction was also fantastic. I’m a fan of the absurd; I think it’s something audiences really get. Still, a lot of people didn’t even stop and look, they just kept walking, Blackberries blazing. If an army of naked people can’t get you to stop, I don’t know what can.

Did you warn anyone before the performance started?

No. These are public streets. Part of my practice is reclaiming public property for us. As our culture is slowly devoured by corporations and all the public things begin to disintegrate, it’s our responsibility as citizens to aggressively reclaim space for ourselves.

Was the performance just about the Wall Street crash, or are there other political factors?

It’s no coincidence that we scheduled a performance for the day that America was going to default. My personal feelings are that, with these mechanics that affect our current financial state … it’s just not this abstract concept. My mother is this woman who was derailed from the reward of being a hard working American. It’s very concrete, very real. It’s easy in the news to get lost in the abstract pie graphs of unemployment, but that’s definitely not the case here.

So this is your way of putting Wall Street’s machinations in front of people’s faces?    

Yeah.

See the slideshow at left for photos of Zefrey Throwell’s “Ocularpation: Wall Street” performance. Warning: They definitely feature naked people. 

 

 

 

 

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Just days after Real Housewives of New Jersey star Teresa Giudice was accused of scattering the sexy rumor that her sister-in-law, Melissa Gorga, was once a stripper, guy hurl membership Jacqueline Laurita is coming to Gorga’s barricade and attacking Giudice aboard Twitter.

For her part, Gorga is adamantly vetoing she was ever a stripper, as is her sometime employer at Lookers Gentlemen’s Club, Larry Guarino. “She was a bartender as a pair of months annuals ago, it was such a short time,” Guarino told Us Weekly Friday. “She was never ever a dancer.”

While Giudice has remained mother on the situation, Laurita says there are more frames in her locker presently to be revealed.

Mama mia!

“There is even a lot more to the story that ambition finally come out. She’s not nice and yes..she has pierced me in the behind superfluity of times,” Laurita sniped of Giudice. “I’m no so forgiving anymore.”

Calling her one-time pal Giudice “scum,” Laurita debated that Giudice has been contriving to attack Gorga for quite a when.

PHOTOS: Unbelievable Real Housewives moments

Rumors of Gorga’s supposed profession spread earlier this week, while the Real Housewives cast came attach to attend a shape show at Posche, the boutique frequently seen on Bravo’s array.

PHOTOS: Meow! Famous reality TV show catfights

VIDEO: Melissa and Teresa come face-to-face afterward their heavy christening spat

“Teresa told me that ‘rumor’ about Melissa when she premier began the show,” Laurita Tweeted Saturday. “She wanted her out then. She plotted it. She played mute on camera and even vindicated Melissa.”

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Office Template SAMPLE

fabric stamp breadth FABRIC WIDTH

side sew side sew, swing joints SIDE SEAM

stays collar Gusseted film COLLAR STAY

Embroidery Embroidery EMBROIDERY

tie BARTACK play date

Tam dry over the shoulder YOKE

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Back-pin pin back

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Card hanging label HANGTAG

file BACK RISE after the waves

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buried bone cracks and side seams attach Xiudi JOIN THE UNDER ARM SEAM AND SIDE SEAM
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satisfied money stitching small shoulder JOIN THE SMALL SHOULDER

satisfied that the buck-bit shoulder seam SHOULDER SEAM

clasp door grommets BUTTON HOLE

card door handle loop FLY

toggle button door take location BUTTON STAND

Marker marker LAYOUT

malt punch tearing machine DIE CUTTING MACHINE

spleen around crosspiece THIGH

sewing machine smooth car NORMAL SEWING MACHINE

lining INTERLINING Park

before the wag front stalls FRONT RISE

Health fold Province PLEAT
DART

dead fold fold

shuttle bobbin BOBBIN Aberdeen

iron Iron IRON

black sewing machine elect bike BLIND STITCHING MACHINE

flies fastener wands buckle EYES & HOOKS

boots presser foot PRESSER FOOT
Stitch lines step

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only I, bead seam SEAM ALLOWANCE

vertical lines twill BIOS CUT

Hip Hip HIP (Jandy order)

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ACCESSORY accessories

BELT Belt

BINDING TAPE bundles (including corners)

BOW Butterfly

BOW-TIE Bow

BUCKLE LOOP button ring

BUTTON BUTTON

CARE LABEL Water Mark

COLLAR RAB collar loop

COLLAR STAY collar stays

CONCEAL ZIPPER hidden zipper

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CONTRAST COLOR STITCHES hit the color line

COTTON STRING cotton rope

ELASTIC elastic

EPAULET badges

EYELET Corn

EYES & HOOKS flies buckle, nail bar buckle

FRILLS flouncing

FUSIBLE-INTERLINING sticky Park

GODET gore

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HALF MOON PATCH half-moon Turtle

HANDING LOOP hanging loop

INTERLINING compare, Park

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NON-FUSIBLE-INTERLINING non-stick Park, the Health Park

PLASTIC STRING plastic pin

RIBBING rib

RIVET kick nails, hook header

RUBBER STRING elastic

SHANK (button) around the foot line

SHOULDER PAD shoulder cotton pad
Size Mark

SIZE LABEL

SMOCKING (decorative) fold decrement

SNAP urgency button, buttons, snaps

STICKER Sticker

STRIPE stripe, cord

THREAD Line

TRIANGLE GUSSET foot triangular stick

VELCRO Velcro

ZIPPER Zipper

ZIPPER PULLER zipper

ZIPPER STOPPER (Typed along Jandy)

Apparel English (abridgement)

A. H. ARMHOLE armhole

ABS AREA BOUNDED STAPLE FABRIC

sticky non-woven fabric surface

ADL ACCEPTABLE DEFECT LEVEL

grant defect standard

AQL ACCEPTABLE QUALITY LEVEL

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ATTN. ATTENTION NOTE

AUD. AUDIT Audit
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B. BACK

B. H. BUTTON HOLE button door / buttonhole

B. L. BACK LENGTH long after

B. P. BUST POINT bust point

BK. BLACK Black

BL BUST LINE bust line

BMT BASIC MOTION TIME elementary actiin due time

BNL BACK NECKLINE line after the collar

BNP / BNPT BACK NECK POINT point guide after the

BR BACK RISE after the waves

BSP BACK SHOULDER POINT point after the cervix

BTM. BOTTOM shirt feet

BTN. BUTTON button

CVC CHIEF VALUE OF COTTON cotton-based blends

C / B (C.B.) CENTER BACK in post-

C / F (C.F.) CENTER FRONT Former

CAD COMPUTER AIDED DESIGN

computer-aided chart

CAE COMPUTER AIDED ENGINEERING

Computer-Aided Engineering

CAL COMPUTER AIDED LAYOUT

computer-aided lairing

CAM COMPUTER AIDED MANUFACTURE

calculator supported manufacturing

CAP COMPUTER AIDED PATTERN

variety of computer-aided painting

CBF CENTER BACK FOLD in the fold after

CBL CENTER BACK LINE midline after

CBN-W CENTER BACK NECK POINT TO WAIST cervix point to waist

CFL CENTER FRONT FOLD in the fold before

CI CORPORATE IDENTIFY Corporate Identity

CIF COST, INSURANCE & FREIGHT CIF

CLR. COLOR Color

CMT CUTTING, MAKING, TRIMMING

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COL. COLOR Color

CORD. CORDUROY Corduroy

CS COMMERCIAL STANDARDS advertisement standards

CTN. COTTON Cotton

CTN. NO. CARTON NO. Carton number
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D. DENIER

D. & K. DAMAGED & KEPT cloth staining plant failing recognition of amends

D. B. DOUBLE-BREASTED double-breasted

D / Y DELIVERY shipping, distribution

DBL DOUBLE double

DBL NDL DOUBLE NEEDLE Needle

DEPT. DEPARTMENT division

DIP dark stone bathe

DK. DARK dark

DOZ. DOZEN play

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EL ELBOW LINE elbow Line

EMB. EMBROIDERY Embroidery, Embroidery

ETC. ET CETERA = AND SO FORTH, etc.

EXP. EXPORT Export

F. FRONT ago

FAB. FABRIC cloth

FAQ FAIR AVERAGE QUALITY secondary products

FB FREIGHT BILL loading catalogue

FNP FRONT NECK POINT point before the neck

FOB FREE ON BOARD fob

FQC FIELD QUALITY CONTROL-site quality control

FTY. FACTORY Factory

G. GREEN Green

G. W. GROSS WEIGHT GW
Gyrosigma

GL GRAIN LINE

H. HIPS Hip

HL HIPS LINE Hip Line

IN. INCH inches

JKT. JACKET Jackets

K KNIT Knitting

L. LARGE large

L. LINE Lenny / No (buttons the size of elements)

L. LENGTH length

L. G. LENGTH GRAIN warp, ruled

LB. POUND pounds

LBL LABEL marks, trademarks

LHD LEFT HAND SIDE on the left

LOA LENGTH OVER ALL full

M MEDIUM M

M / B MUST BE have to

M / C MACHINE Machine

MAT. MATERIAL matters

MEAS. MEASUREMENT size

MHL MIDDLE HIPS LINE line in the Hip

MKT. MARKET Market

MMTS. MEASUREMENTS Size

N. apt W. (N.-W.) NAPE TO WAIST back straight

N. P. NECK POINT neck point

NDL. NEEDLE Needle

NIL NOTHING without

NK. NECK collar

O / N ORDER NO. Order No.

OJT ON-THE-JOB TRAINING-the-job training

OS OVER SIZE XXL

OVRLK. OVERLOCK and bone, including mutual

P. PURPLE Purple

P. O. NO. PRODUCTION ORDER NO.

production order number

P. O. B. POST OFFICE BOX-mail

P. P. PAPER PATTERN pattern

PSI PER SQUARE INCH per square inch

P / C POLYESTER / COTTON polyester-cotton blended linen

PA POLYAMIDE polyamide

PAP POSTERIOR ARMPIT POINT point after axillary

PB PRIVATE BRAND individual mark

PC. PRICE Price

PCS. PIECES chapters, a

PKG. PACKAGE Package

PKT. POCKET pocket

PLS. PLEASE amuse

PNT POINT point

POR PRODUCT-O-RIAL SYSTEM hanging system

POS. POSITION Position
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PP POLY PROPYLENE

PV POLYVINYL FIBRE polyethylene fiber

PVC POLYVINYL CHLORIDE PVC

QC QUALITY CONTROL Quality Control

QLY. QUALITY Quality

QPL QUALIFIED PRODUCTS LIST

Qualified Product List

QTY. QUANTITY Quantity

R. RIGHT Right

R. S. RIGHT SIDE assured

R. T. W. READY TO WEAR clothing

REF. REFERENCE reference, reference

REJ. REJECT discard

RM. ROOM sites

RN. RAYON Rayon

S SMALL small yards

S. A. SEAM ALLOWANCE only port

S / B sandblast dirt eruption

SB SINGLE BREASTED unattached row of buttons, single bosomed

S. P. SHOULDER POINT shoulder endpoint

SPI STITCH PER INCH digit of stitches per inch

SPM STITCH PER MINUTES few stitches per minute

S / B SHOULD BE should
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SC SHOPPING CENTER

SGL NDL SINGLE NEEDLE NEEDLE

SLV. SLEEVE sleeves

SMPL SAMPLE model

SNL SINGLE Single

SNP SIDE NECK POINT sides of neck point

SPEC. SPECIFICATION Rules

SQ. FT. SQUARE FEET square feet

STY. STYLE style

SZ. SIZE size

T / C TERYLENCE / COTTON polyester-cotton fabric

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T-S T-SHIRT T-shirts

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WIP semi-finished products

W. L. WAIST LINE waist

W. S. WRONG SIDE negative

W / WITH

WMSP. WORKMANSHIP hand, turner

WT. WEIGHT Weight

X KING SIZE king

XL EXTRA LARGE king

XXL EXTRA EXTRA LARGE super sovereign

Y. YELLOW yellow

YD. YARDAGE code number (Typed by Jandy)